It’s been a learning curve to say the least but I think it’s been worth the struggle. This enables viewers to zoom in, often for miles and see objects not visible to the naked eye. This enabled me to take more images and process them resulting in much larger, more detailed panoramas, most being Gigapixels in size (1,000 megapixels = 1 gigapixel).
#Autopano giga 3.7 pro#
In 2013, I decided to try out a GigaPan® Epic Pro motorised head system coupled with Kolor Autopano Giga stitching software.
Virtually all the images in the galleries were compiled in this way. This although very satisfying to do it is very time consuming when managing a large number of files. For many years I’ve been taking pictures hand-held or using a tripod and manually stitching the final image using Adobe Photoshop®. I have always appreciated wide open spaces and mountainous regions during my travels so I suppose this is why I choose to concentrate on photographing this natural beauty. As the design business grew I often worked in tandem with photographers who took the shots needed for brochures and other advertising based media that I was producing at the time and I started to take a more serious interest the medium. I always had an interest in photography but like a lot of people I was a happy party/holiday snapper and never really took it too seriously. After studying fine art in the mid 1970’s I went off in a totally different direction for years until 1991 when I started a walk-in computer based graphic design business in Finsbury Park, north London.
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